Nick is an Australian-based teacher who was mentored by John Patrick during a residency at UNC Chapel Hill’s Professional Actor Training Program. Nick served as an assistant teacher to Mr. Patrick’s MFA acting students and vocal coach for PlayMakers Repertory Company during this time. Nick has coached extensively in film and television, and for national and local theatre companies such as Opera Australia, Company B Belvoir, Ensemble Theatre, Old Fitzroy/Red Line, and the New Theatre. He holds an MFA (Voice) from Australia’s National Institute of Dramatic Art (NIDA) as well as a Graduate Diploma from University of New England, and a BA (Performance) with Distinction from Western Sydney University.He is currently co-ordinating the voice program for the new Bachelor of Music Theatre at University of Adelaide’s Elder Conservatorium.


Originally from Oakland, Tania is a graduate of Smith College and the Professional Actor Training Program at UNC Chapel Hill. At UNC she shadowed John Patrick as well as teaching MVM to undergraduates. She has assisted Scott at the Michael Chekhov Acting Studio and was mentored by Scott and Liam Joynt, hosted in part at the Graduate Acting Program at NYU | Tisch School of the Arts. Other training: London Academy of Music and Dramatic Art, Moscow Art Theater School, Michael Chekhov Acting Studio. She currently lives in NYC with as many books as she can manage and her crazy cat Olga. Website:

Amanda has 15 years experience teaching speech, dialects, and language skills to actors and other speakers from around the world. Her approach to dialect work is holistic to the actor’s whole performance, using accents to support and stimulate the broader process of creating a character. In addition to her coaching on plays and films, she maintains a thriving private practice, is on faculty at HB Studio and Freeman Studio, and is featured as an accent expert on WNYC. As an actor, Amanda has worked on and Off-Broadway, regionally, and in film and television. For more, see

Abbey is an actor, director and teacher, as well as Company Manager for PlayMakers Repertory Company in Chapel Hill, NC. Abbey is an adjunct professor of Acting at USCB and has taught at UNC Chapel Hill and UC Irvine. She coaches acting, auditioning, voice and speech, physical storytelling, acting for the camera, and she teaches piano and private voice lessons. She received her MFA in Acting from the University of California-Irvine, her BS in Theater Performance from the University of Evansville, and is one of the first certified teachers of Miller Voice Method. Abbey was mentored by John Patrick, hosted at the University of North Carolina, Chapel Hill and is a member of VASTA. Additional training includes Fitzmaurice Voicework and The Emotional Body with Laura Bond. Breath and story telling are central to Abbey’s approach to music and to acting. After spending years acting in Chicago, Abbey is delighted to be back in the south where she enjoys long walks outside with her husband and their amazing rescue greyhound dog, Twyla.

A Fulbright scholar of South African origins, Judylee is an acting and voice teacher, actor and voice coach. Director of the MFA Acting Program at Brooklyn College, CUNY, other teaching includes RWCMD and RCSSD in the U.K., NYU, AMDA, Rutgers Newark, & Michael Howard Studios. Recipient of the Claire Tow Distinguished Teacher Award 2007 and Tow Professorship 2016-2018, she’s a 20-year member of VASTA and served twice on the Board of Directors. Judylee is committed to the release of the individual’s habitual psycho-physical holding patterns that inhibit the individual’s authentic expression. Training: BA Hons., MA, University of Kwa-Zulu, Natal, South Africa; MFA in Acting, NYU.

A graduate of Virginia Commonwealth University’s BFA and NYU TISCH Graduate Acting, she’s been focusing on Voice, Speech, Shakespeare, and Youth. Credits: Playboy of the West Indies (NYU Grad Acting), The Golden Drum Year (Radical Evolution), Superhero Clubhouse 2014, The Merchant of Venice (Broadhurst Theater), Much Ado About Nothing (Two Rivers), The Merchant of Venice and The Winter’s Tale (Public, Shakespeare in the Park), black odyssey (workshop, Denver Center), Civilization (All You Can Eat) (Woolly Mammoth), #NYC (Ugly Rhino). Television: Nurse Jackie; Treme. Directing: Julius Caesar (Dreamyard Shakespeare Ensemble) Alice in Wonderland, Saving Angels, Harriet Tubman (Cornelia Connelly Center). Upcoming projects: NEC Poetry Series and Dreamyard High School Ensemble.

Hi! I’m an actor, voice over artist, teacher, and mother. I worked with John Patrick in 2011 and was mentored by Scott, hosted in part at the Graduate Acting Program at NYU | Tisch School of the Arts. I teach Speech at Atlantic Acting School and I’m a proud member of SAG/AFTRA & AEA. This work profoundly affected my life as an actor, teacher and human being by keeping me ever curious about breath, perceptions, our brains and this job we call acting. You can hear me on radio for Home Goods, on TV for Cetaphil and KY (yes, the lube!) and in the audio book A Tangle of Knots by Lisa Graff.

Chris is an actor, teacher & business coach living in NYC. Experience Highlights: an MFA from the Professional Actors Training Program at Rutgers University’s Mason Gross School of the Arts, an alum of the London Drama Program (Marymount/Fordham), former assistant & long term collaborator with Deborah Hedwall and her Studio (NYC), and was mentored by Scott and Liam Joynt, hosted in part at the Graduate Acting Program at NYU | Tisch School of the Arts, to learn the Miller Voice Method. He is student of Reiki & practices Transcendental Meditation (David Lynch Foundation).

Sarah has taught acting at Rutgers University Mason Gross School of the Arts and New York Film Academy. She currently coaches privately in Manhattan. She was mentored by Scott, hosted in part at the Graduate Acting Program at NYU | Tisch School of the Arts. She earned her MFA in Acting at Rutgers University where she trained under William Esper, Lloyd Richards and Deborah Hedwall. She received her BFA in Acting from Emerson College where she studied the Linklater Technique extensively. Her teaching methodologies include: Miller Voice Method, Meisner, Michael Chekhov, Linklater and yoga.

Nikiya holds a BA from Temple University and an MFA from New York University’s Graduate Acting Program. She’s originated roles off-Broadway, including SKELETON CREW (Atlantic Theater), MILK LIKE SUGAR (Playwrights Horizons) and Tarell McCraney’s The Brother/Sister Plays (Public Theater). Her television credits include Braindead, Person of Interest, Madam Secretary, The Night Of and The Blacklist. Nikiya has taught acting with Epic Theater, NJPAC, as well as a master class at Spellman College. She has also also continued to teach and train with Scott Miller through NYU’s Faculty Diversity Mentorship Fellowship.